The Lytham St Annes Art Collection
Contact
  • HOME
    • Origins of the Collection
  • THE COLLECTION
  • DONORS
  • ARTISTS
  • CONTACT
  • TAGGING THE TREASURES PROJECT
    • More about the Project
    • Volunteer Training
    • More Volunteer Training
    • Research Websites
    • Walk & Talk through Lytham 2015

Winter in Holland
by Julius  Bayer

Research by Ivan Midgley and Susan Auty
Picture
Acc No              3
Artist                 Julius Bayer
Artist dates       1840 -1893
Medium             Oil on canvas
Size                   67.9 x 105.4 cm (26.8 x 41.5 in)
Date painted     Unknown
Donor                John Broadbent of Manchester
Date donated    March 1931

Notes:  Typewritten label on stretcher 'Boyer 16 Winter in Holland'
Also on stretcher -  two foreign canvas stamps and stencilled numbers '25 2 40'

Frame label says: Winter in Holland by J Bayer presented to the Borough of Lytham St Annes March 1931 by John Broadbent Esquire of Manchester

Also donated Acc No 35 'Landing the Catch' by A J Bennett 
PictureRiver Landscape with a Farmhouse and Figures by Julius Bayer
ARTIST

Despite a signature that looks like ‘Boyer', research indicates that the artist is most likely to be Julius Bayer (1840-1893). Although less impressionistic in its details, another painting of a Dutch Winter Scene, known to be by J Bayer, shows signs of being by the same artist: the trees and the shoreline details, together with a similarity in the skating figures, support this attribution.

Julius Bayer, who specialised in landscape painting, was the son of Anton Bayer, also a  painter. He was born in Modling in 1840, one of six children. After attending the Realsschule he became a student at the Vienna Academy - studying under Griepenkerl during 1855-56 - and the Landscape School between 1864 and 1866. From 1869 Boyer became a member of the Vienna Artists' House, where he exhibited regularly from 1874.

Julius Bayer's paintings were typical examples of the Dutch Romanticism movement. The international Romantic movement, which had swept across Europe, arrived late in the Netherlands.  Landscape painting then took centre stage in Dutch Romanticism and was based mainly on a revaluation of Dutch 17th century landscapes and came to dominate Dutch painting for about 70 years.  Andreas Schelfhour (1787-1870) was a early adherent to this movement.  His Dutch winter scenes and frozen canals with skaters were already famous during his lifetime.  Nicholaas Johannes Roosenboom (1805-1880) was also a leading and successful Romantic painter who collaborated with, amongst others, the Belgian animal painter, Eugene Joseph Verboeckhoven (1798-1881), whose painting Cattle and Sheep in a Landscape, is also part of the Lytham St Annes Art Collection.

Bayer settled in Salzburg in 1880, where he died in 1883, leaving a wife, Theresia Bayer, and two children.  He is buried in Salzburg Municipal  Cemetery.





PAINTING

The composition of Winter in Holland is very pleasing, with an approximate one-third, two-thirds split both vertically and horizontally.  The sky reflects the monochrome of winter but with a suggestion of warmth in the yellows.  Given the remnants of leaves on the trees it is probably early winter. The ice looks barely frozen enough for skating.  There is very relaxed movement in the painting with no evidence of a stiff wind despite the clouds.  There are no frenetic skaters or indeed much skating at all.  The cottages are in a distinctive Dutch style, low with fairly steep roof caps and a pitched roof on the gable end.  The effect of the undefined clouds and the sketchy figures is very impressionistic. 



REFERENCES

https://www.dorotheum.com/de/l/5691880/

https://regiowiki.at/wiki/Julius_Bayer

https://www.geschichtewiki.wien.gv.at/Julius_Bayer

​https://www.invaluable.com/artist/bayer-julius-ojyyyxrnm0/sold-at-auction-prices/

wikipedia - Nicolaas Rossenboom










Powered by Create your own unique website with customizable templates.