Shore scene with boats in Cornwall & Rocky Coast Scene at Sunset
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Research by Brenda Burkitt and Marjorie Gregson Descriptions by Jean Holland |
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Acc No 163 (Shore scene with boats in Cornwall)
Size 11.5 x 19.5 in (29.2 x 49.5 cm) Acc No 150 (Rocky Coast Scene at Sunset) Size 11 x 20 in (27.94 x 50.8 cm) Artist Frank Hider Artist dates 1861-1933 Medium Oil on canvas Date painted Unknown Donor Charles L Snelson, St Annes Date donated 20 September 1954 |
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Frank Hider was born in 1861. Censuses vary in his place of birth, citing Newington, London, Old Kent Road, London and Walworth, Middlesex. His father, George Hider, married Jane Cansick (1828-1871) on 29th October 1857 in Kennington, London and Jane Cansick was the artist's mother.
George married Henrietta Maria Mackie in 1871. In the 1881 census, when living in Croydon, Surrey, the surname was spelt as Heder. He married Laura Anna Hill in 1885 and they had several children, one of whom, Christopher George Hider, also studied art. Frank Hider studied at Heatherleys Art School. He travelled through Britain painting his rural landscapes and coastal scenes in oils and watercolours. Hider also visited Italy and Belgium and although a prolific painter he rarely exhibited. He became part of the Burnham Beeches colony of painters in Buckinghamshire. His style was similar to that of S Y Johnson, although done in a broader stroke. Often his oils were inscribed with the title and location on the reverse. Typical titles were Off the Cornish Coast, Bringing in the Catch and Seagulls Haunt. Paintings on public view include: The Sister Rocks Alderney Society Museum Moonlit Street Rufford Old Hall Splash Point Towner Gallery, Eastbourne His work is sold regularly in Christies among other top auction houses. The signature M C Hider is thought to be a pseudonym. Hider lived for many years in Forest Gate, West Ham, Essex and died there in 1933. Rocky Coast Scene at Sunset
The drama of this exciting seascape by Frank Hider is enhanced by the strong dynamic line running down from the cliff top on the left, past the rock with the seagulls and down into the sea, roughly in the centre of the picture. This carries the eye deep into the foamy sea smashing against the rocks. We are set further off kilter by the other strong dynamic line which takes us through the channel on the left between the rocks all the way to the distant horizon, allowing elements of the shallow picture plane to interact with those of the deep picture plane.
Although the artist uses a quite representational style, the gestural brushwork and lavish use of white is a strong pictorial force within the image, exaggerating the movement of light and the textural feel of the surface of the water as well as the rocks rising out of the sea. The cold blues and whites of the sea contrast sharply with the warm reds and browns of the rocks topped with greens and ochres, the whole scene being warmed by the gold of the distant sunset lighting up the sky and reflecting into the water which is the focal point of the painting. |
REFERENCES
Wood, Jeremy, “Hidden Talents: A Dictionary of Neglected Artists Working 1880-1950” ISBN 0-9522766-0-7 www.antiques-atlas.com www.bbc.co.uk/yourpaintings www.worthpoint.com www.freebmd.co.uk www.findmypast.co.uk |
