A Highland Loch by James Elliot
Research by Marjorie Gregson
Acc No 135
Artist James Elliot
Artist dates 1885-1895
Medium Oil on canvas
Size 7 x 11.5 in (17.8 X 29.2 cm)
Date painted Unknown
Date donated Unknown
Also in the collection: Mountainous Landscape by James Elliot
The artist, identified by his signature, is James Elliot. His distinctive signature has the initials of his name conjoined, as can be seen in this picture in the bottom right hand corner. This is comparable with that on several of his paintings in national collections.
According to The Dictionary of British Art, Victorian Painters by Christopher Wood, his name was wrongly listed as Elliott with two t’s in Graves's,The Royal Academy of Arts: a complete dictionary of contributors and their work from its foundation in 1769 to 1904.
(There is a Devon painter, named James Elliott, born 1833, who painted scenes of Cornwall and Devon.)
Elliot was a landscape painter, primarily of Welsh landscapes, who exhibited at the Royal Academy‘s annual exhibitions between 1884 and 1897 and also at the Suffolk Street Gallery in London. He lived at various addresses in Manchester and on the 1881 census there is a James Elliot, described as a landscape artist, lodging in Betws-y-Coed. In 1850 his birthplace was given as Scotland. The Snowdonia village was a thriving centre for artists during the 1800s and became known as the first artists’ colony in Britain.
The Liverpool Mercury, 23 June 1886, reported that two of his paintings, shown
at the Southport Spring Exhibition in the Atkinson Art Gallery, were priced at £15 each.
These were On the Liddal and On the Llugwy.
An article entitled Welsh Exhibitors at the Royal Academy, which appeared in The Western Mail (Cardiff) on 3 May 1890, stated that 'Mr. James Elliott (sic), Miner’s Bridge House, Betws-y-Coed, sends a landscape, A Flood on the Glaslyn, a work of considerable merit'.
Other works include:
On the Gwyedd (1888) Kirklees Museum and Art Gallery
Birch Wood in the Lledr Valley Williamson Art Gallery and Museum
On Snowdon (1886) National Gallery of Wales
In the Valley of the Ogwen (1885)
Those Heavenly Hills All Veiled in Mist (1895)
Rain Clearing Off (1897)
A Quiet Spot for Contemplation
The Last Rays of Sunlight (1889)
Mountainous Landscape Fylde Council
This painting is a finely executed study of a highland landscape painted in harmonious, warm earth tones which are reflected in the still waters. A lone figure in a boat can be seen where the loch curves away into the low hills. The scene is illuminated by the gentle light from the sky and the atmosphere created is one of calm and tranquillity.